![]() The effect creates the illusion that the work is three-dimensional. Sydow created the work with a combination of precise ink drawing and the use of letrafilm, a system of ready-made transfers. Taken individually, each object is distinct, as the 'light' falls in a different way on every surface, but together they form an engaging abstract pattern. In the extraordinary series of abstract paintings that resulted, this simple form expresses a vast range of dynamic relationships.Ĭarl Sydow has used these 20 cubes, each tilted onto one edge, to explore form, surface texture and the presence of objects within space. Soon after, he began working with the koru, or fern bud, motif – a Māori decorative form used on rafter paintings, incised gourds and in tattooing. When he travelled to Europe in 1950, Walters realised that modern art had learned important lessons from the arts of the Pacific. It was one of many occasions on which Walters drew inspiration from traditional Māori art. ![]() In 1947 Gordon Walters visited Theo Schoon in South Canterbury, where Schoon was recording Māori rock drawings. More recently, writers have argued that the powerfully visual qualities of these works have yet to be fully explored. In the 1990s the koru works found themselves caught up in a debate about the rights and wrongs of cross-cultural borrowing. Merging the geometry of modernist abstract painting with the unfurling fern motif from Maori art, these paintings are meditations on the theme of exchange – the way forms and ideas move from one place to another and change along the way. ![]() ![]() Many opinions have been offered on the remarkable ‘koru’ paintings made by Gordon Walters. Brought to light, November 2009- 22 February 2011 ![]()
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